Amy Halpern Movies

Chick Strand's SOFT FICTION is a personal documentary that brilliantly portrays the survival power of female sensuality. It combines the documentary...

Following Gage-like skull trauma, a woman’s body unravels in dissolving textures and neuronal visions.

Ancient alchemists believed that salamanders can be reborn from fire, like the phoenix or Christ. They do not survive fire, nor extreme dryness. And...

A rhythmic montage of almost 200 faces, human and animals, that Halpern pans vertically, creating a cascade of visages suggesting that while...

By Halves uses appropriated footage from rejected 35mm prints that were cut in half and readjusted to be used as spacers for 16mm to sync sound...

Illusions of surface, abstract to pictorial. Initially the grain of the film emulsion, complete with scratches, variations in framing – the...

1981, 16mm, b&w, silent, 2 mins. Shots of Halpern cutting her fingernails, biting them, and dunking them in water.

In three parts: Statice/frameline; Drops; The Cannonball Section. Unpopulated (except for the cheap ending on the Cannonball Section). (Previously...

with Adnan Ibrahim "Stand up and use your ears like a man" - Charles Ives

A portrait of Jane Wodening (Brakhage). “A person who was the subject of the camera for many years looks back at us with an interrogating...

Literally, a glance. A dedication; my emissary. –A. C. H.

My mother, now 94. Filmed more than 30 years ago. (Amy Halpern)

Presents the physically necessary film “leaders”; at the front and back end of movies as aesthetic in themselves. (Amy Halpern)

With Nancy Halpern and Yves Marton. "Sitting home smoking cigarettes during the occupation. Very nasty and sophomoric. And beautiful." — A.H.