Ute Aurand Movies

A cinematic interpretation of an ancient myth and the visual metaphor of the feminine sea.

Stories from the lesbian subculture in West Berlin, about being in love, clichés, desire, and conflict – "shot as a narrative, with real...

Four women film each other getting dressed in this four-part film. The motive for making the film was to work with a Bolex camera. A protected space...

Flug durch die Nacht, shot during Ilona Baltrusch's studies at the Deutsche Film- und Fernsehakademie Berlin - DFFB, explores the relationship...

An imaginary journey on a ship. We turned the building of the Film Academy into a ship. Claire and Solange from a Jean Genet piece, a polish woman...

Experimental film about a train ride. The carriage window becomes a screen, the landscape a mood, the mood a landscape.

A film structured around Detel Aurand and Jon Sigurgeiersson.

Portrait of Canadian artist Susan Turcot in 1993 and 2011.

A film about my friend Maria Lang. The light falls on a few details, chance selections, out of which a place is composed, the place where Maria lives...

Scenes in the park of the Rietberg Museum in Zurich with its collection of Asian, African and Indian art.

Two memories from a longer visit to New England in Autumn 2012: a group of elderly ladies playing bridge followed by the stormy ocean at Cape Cod in...

ZU HAUSE (At Home) ist the final sequence in TERZEN, playing with the filmmakers shadow and the Bolex camera while filming in her kitchen.

“In the day after seeing Terzen, there was a surprising sense of the film that developed for me. The rhythms were still present and helped to...

A filmic encounter with Brazil, which Aurand visited for the first time in September 2022 for screenings of her films and Margaret Tait’s in...

Jón in Akureyri is the second part of Detel + Jón. I filmed Jón Sigrurgeiersson walking through the streets of his childhood,...

“Fadenspiele 2“ (Toying with String 2) is an animation made with the painter, my sister, Detel Aurand. We filmed inside the studio and...

For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform...

"Franz von Lucke is my godchild, and I have filmed him since he was very young. Franz is now 26 years old." U.A.

The portraits allow the filmmaker to emphasize gestures and private moments beyond narration and documentation. In his work system, he collects...